Sicario: Day of the Soldado (2018)

“Sicario: Day of the Soldado” is a gripping, hard-hitting sequel to the 2015 thriller Sicario. Directed by Stefano Sollima, it delves deeper into the brutal and morally complex world of the U.S.-Mexico border drug wars. With a darker, more intense tone, this film ramps up the stakes by exploring terrorism and human trafficking alongside the ongoing drug cartel violence.

Benicio Del Toro reprises his role as the enigmatic and vengeful Alejandro, while Josh Brolin returns as the no-nonsense federal agent Matt Graver. Their performances remain strong, with Del Toro’s portrayal of Alejandro particularly compelling, adding layers of depth and emotional conflict to the character. The dynamic between these two characters drives the story, as their mission shifts from hunting down cartel leaders to dealing with the consequences of political manipulation.

One of the film’s standout elements is its unflinching depiction of violence and the morally ambiguous decisions made by the characters. The line between right and wrong is often blurred, which adds to the tension and drama. The cinematography by Dariusz Wolski captures the barren, hostile landscape of the border regions, enhancing the film’s gritty atmosphere. The action sequences are brutal and realistic, with a chilling sense of danger lurking throughout.

While Sicario: Day of the Soldado doesn’t have the same artistic flair or emotional depth as its predecessor, especially without Emily Blunt’s grounded presence as Kate Macer, it holds its own as a tense, violent action thriller. The plot might feel a bit less focused, but it compensates with relentless pacing and a more expanded narrative that tackles international politics, the consequences of war, and the personal cost of vengeance.

In summary, Sicario: Day of the Soldado is a solid follow-up that successfully builds on the world established in the first film. It’s darker, more cynical, and not for the faint of heart, but it offers a thought-provoking and intense ride for fans of the original.

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