Fast Food is a low-budget, independent comedy film directed by Michael A. Simpson, released in 1989. This obscure gem blends absurd humor, quirky characters, and a satirical take on the fast-food industry, delivering a cult classic vibe that’s equal parts bizarre and entertaining.

Plot Summary

The story centers on Auggie (Clark Brandon), a slacker with big dreams but little ambition. When he stumbles upon a failing fast-food joint called “Burger Bonanza,” Auggie teams up with his eccentric friend Drew (Randal Patrick) and a colorful cast of misfits to turn the restaurant around. Their secret weapon? A mysterious meat additive created by a mad scientist, which makes the burgers irresistibly addictive. As the restaurant skyrockets to success, chaos ensues with shady businessmen, health inspectors, and romantic entanglements threatening to derail their plans. The plot is a wild ride, poking fun at corporate greed, consumerism, and the fast-food culture of the era.

Cast and Performances

• Clark Brandon as Auggie delivers a likable, laid-back performance, perfectly embodying the lovable loser archetype.
• Randal Patrick as Drew steals scenes with his over-the-top energy and comedic timing.
• Supporting roles, including Tracy Griffith as Samantha, the love interest, and Jim Varney in a cameo as a sleazy businessman, add charm and oddball humor.
• The ensemble cast leans into the film’s campy tone, with exaggerated performances that suit the absurd premise.

Direction and Style

Director Michael A. Simpson embraces the low-budget aesthetic, using practical locations and minimal effects to create a gritty, authentic feel. The film’s pacing is uneven at times, but its short 88-minute runtime keeps things moving. The cinematography is functional, with a late-80s vibe that screams VHS-era indie filmmaking. The soundtrack, featuring cheesy synth-pop and rock tracks, adds to the nostalgic appeal.

Themes and Humor

Fast Food satirizes the fast-food industry, taking jabs at questionable food practices and corporate exploitation. The humor is a mix of slapstick, wordplay, and surreal gags, often leaning on the ridiculousness of the addictive burger plotline. While not every joke lands, the film’s unapologetic weirdness and charm make it endearing. Fans of cult comedies like UHF or Attack of the Killer Tomatoes will appreciate its offbeat sensibility.

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